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| 15543. HIROSHIMA, MON AMOUR (1959 FILM, DIRECTED BY ALAIN RESNAIS). This paper is concerned with the pivotal scene in which the sleeping Japanese lover's movements remind the French girl of her German lover who was killed in World War II, as well as of her punishment for having had a German lover. Discusses how the identities of the German and Japanese lovers become intertwined, and concludes that the girl begins to come to terms with her past by reliving her painful memories. 6p., 8f., 4b. |
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